I’ve been blogging on this site for almost 20 years now, and over that time I’ve tried just about every platform, every option there is, and have ended up back where I started. Over the last few years I’ve let my blog sit on the wordpress.com “free” site, while I took a break for the most part, while I tried out and contributed to other sites like Medium and all those other free content based sites.
Blogging has changed so much over the last 20 years, but it is still alive and well, and makes up a good bit of the knowledge base of the internet. I like to think I had a small part in that back in the early 90’s when I posted my first pages on a site called Concentric.net, my url address at the time was http://www.concentric.net/~sfillmer but is long long gone (previously Nextlink Communications, Concentric Network Corporation and Allegiance Telecom, Inc. is now a telecommunications company owned by XO Holdings, Inc, which is now owned by Verizon).
I wrote a post about 6 years ago now called WORDPRESS SELF HOSTED VS WORDPRESS.COM HOSTED BLOG PROS CONS :: REVIEW which detailed out the difference between the .org and the free .com and while it’s been nice not having to worry about malware and other attacks, I’ve come full circle and determined that with anything “free” there is a cost. Don’t let the “free” sites fool you into thinking their platform is free. Everything always has a cost, there is always an exchange for the free. It could be privacy, rights to market your own content, creatives rights, somewhere there is a cost to you and a way the “free” platform makes their money (otherwise they wouldn’t exist unless they were some government funded platform or something and then you have a whole different kind of cost, just look at China’s biggest social media platform).
This is so obvious when it comes to platforms like Facebook, Twitter, Instagram, Snapchat, Medium, and perhaps to a lessor extent WordPress.com, where anything you create on those platforms belongs to them. The exchange is you get to use a cool platform for free, and anything you contribute becomes part of their bottom line.
This is how the internet has worked for a long time now, and I know moving my site back to where I control my own data and content won’t change that, but at least I will have control of my own created content. So, it was messy, but I moved the DNS servers over, I deleted my mapping on wordpress.com, changed from an IP4 to an IP6 (my ISP has issues with this), and did the whole export/import thing. It’s still going to be a mess for a while, but I can now ftp into my own files, change them, alter them in any way I wish, market them, and screw them up.
After the news came out about Cambridge Analytica scandal this week it really made up my mind to take back over all my content and start having ftp access to my data once again. So thanks Facebook, thanks Cambridge Analytica, and while I can’t quit Facebook outright because of my job as Director of Communications, I can at least not give you every last bit of my data content.
Does this ultimately change anything for people to profit off others content, nope, but at least I have control of my own created content. I’m not sure what this means for this site. As blogging has changed over the last 20 years so have my interests and things I’d write about today aren’t the same as they were. In some ways my interests have grown, or outgrown some areas, and I love to test out that 10,000 hour rule and its validity with different things. Instead of focusing time and attention on the social media sites, I’m going to use that time to be here instead. I moved over here to create and be creative, to inspire and be inspired. Wherever that leads.
What a beautiful game. Game 17, Auburn vs Coppin State. Just another normal mid-season game in the NCAA baseball season.
Imagine if any other collegiate sport played 35 home games, 56 regular season games? Or if any other major professional sports league played 162 regular season games, decided not to keep time on the field, and the person with the ball never scored? Baseball is such an endurance race. A cherished marathon where every footstep is articulated in jaw dropping statistical and artistic beauty.
For me, Turner Field and the Braves are too far away to become an in-person daily routine except on Fox Sports South. To really fully understand the inner workings of baseball’s beauty that this long season provides, it has to become commonplace, routine. Luckily, baseball’s depth provides so many outlets, in so many different leagues, nearly anyone can find a local team to support. I happen to live in one of the greatest college sports towns in the country, so my non-MLB team is the Auburn University Tigers.
Today’s game marks the halfway point in the season and the long schedule is just starting to take on the look of a marathon. Jordan-Hare Stadium is always looming large in the background over it’s Plainsman Park neighbor. The huge majestic concrete pillars hibernating until fall with one reprieve in April, the A-Day Game, when 60,000 people come out to see us play ourselves. Jordan-Hare is always the giant in the room, the most powerful, with the most money, the biggest following, and a stadium that changes the landscape of our entire state 8 to 10 times a year. Plainsman Park, however, providing 35 home games at prices the average person in Auburn can afford, offers something football can’t, accessibility.
On this particular day I am sitting, more like bathing, in the beautiful afternoon sunshine in the south in March. An almost-hot day at the park (did I mention it’s March), where the temp says 69° but really feels more like 80–85° in the sun.
I had no time at all today to get the lineup and score the game as I normally would. My last meeting of the day ended about an hour ago, so there was just enough time to make it to the park and enjoy the setting. Scoring is but just one of the countless aspects that makes baseball unique, poetic. It offers any fan the opportunity to become part of the game being played, and can be done by nearly anyone. The ability to score the game is as much an art form as anything else in life, just as are the many combinations of Auburn Baseball uniforms these days, but scoring really helps to learn the intricacies of the game.
Today Auburn is wearing their home orange jersey and white pants and Coppin State is wearing an Auburn-blue like jersey with gray pants. It’s now 3:30 PM CT and unfortunately on this day pitcher Kevin Davis (#12) only completed 1 full inning and was taken out in the top of the 2nd with no outs. Coppin scored 1 run in the top of the first after he walked three batters, then walked another in the 2nd. Davis was replaced by Jakob Nixon (#8) with 2 men on base and no outs, both runners still accountable to Davis. Finally turning the inning over to Auburn’s offense in the bottom of the 2nd Blake Logan (#1) hit a 3 run homer over our green monster. The homer had to go at least 360′-370′ over the Bosox-like fence that has Bo Jackson’s panorama covering most of that left field wall padding.
This is one of these lazy day games where the sun is just warm enough, especially for this time of year, to allow for a relaxed crowd. Deborah is knitting, and it is quiet enough to clearly hear the sounds of the game, along with various conversations of people nearby.
There is still this one unfortunate state of college baseball affairs at play here. The batters address the pitcher with an aluminum bat, the only real significant travesty in college baseball. There are a handful of other minor indictments one can raise here but I won’t. Although the sound of the aluminum bat is not quite the same as the beauty of MLB wood, it still creates this unique echoing ripple off the green monster and athletic dorms over right field where most of the football players live.
Our world class heckler is here and attentive as always. His job is to make sure the pitcher for Coppin State (or any away team that arrives not expecting a thinking fan crowd) does not get away with anything, and ensures he is rattled as much as any away pitcher could be by a comedic post-Iraq drill Sargent. Our season ticket neighbor came today, along with the normal “retired” season ticket holders. A lady on the stairs walking up into our section came within perhaps an inch of getting beaned in the head with a foul ball, and did not even notice. It’s quite fascinating how someone can come that close to major injury and not even know it happened.
The crowd here couldn’t be more local, and the visitors have virtually no fans attending today other than players family. I love this crowd, and much of it has to do with baseball itself. They are as calm as the pace of the game. Middle class retirees mixed with University staff, and students with an excuse to skip class on a beautiful day. In other words, those who love baseball. It’s a microcosm of our Auburn community. A generally quiet, laid back, friendly southern town.
Top of the 5th inning now and Auburn seems to have this one well in hand. Coppin had to take their starting pitcher out after he was hit by a hard line drive in the ankle (they needed to take him out anyway). Auburn now has an 8–2 lead off 8 hits and 0 errors.
With the pending announcement and release of the iPhone 8, or the iPhone Pro, iPhone X or whatever the new flagship iPhone is going to be called, the photography industry as a whole is once again going to be forced to advance to places it perhaps never considered 10 years ago. Features like dual sensors with different focal length lenses, the possibility of something like “scene selection,” and even the good “old” things like geo-tagging images (why is this still not a standard on all DSLR’s at this point?) will continue to provide space in the market between Apple and the big camera makers. This is probably never more true for Nikon and Canon who, over the last 10 years, have started to look slightly “Nokia-like” in advancements beyond the DSLR. They haven’t completely stuck their proverbial head in the sand, I think they woke up just in time, but it was just far too late for me.
Both companies have started branching out into mirrorless cameras, but it feels like they’re just playing catch up with Sony and Fujifilm, not transformational as in the past decades. Sony and Fujifilm at this point feel like the cutting edge of cameras just beyond the DSLR market, perhaps a bridge between mirrorless and the smartphone. Yes you will be able to shoot DSLR at native ISO-64 (and in probably complete darkness before long), and many other incrimental advancements, but they feel almost forced, and very late.
Of course Nikon and Canon built their empires on the SLR and then the DSLR, so changing business models 10 years ago probably wasn’t even on the horizon. The never ending product cycle of updated models was huge back when digital photography made giant leaps each year rendering previous models ancient worthless dinosaurs. My Nikon D100 I paid $2,000 for back in 2002 is worthless today, and that’s good for Nikon, except I’m no longer buying new models, and that can’t be good for them. I know there are more people like me who have come to the realization that, yes the sensor on the iPhone isn’t a DSLR, it’s never going to capture the same IQ as a full-frame or APS-C sensor, but now, and with the iPhone 8, it’s finally good enough.
I get it. It would have been hard, if not impossible, for them to abandon their cash cow. I just can’t help but think about how those meetings went when they finally decided to divert sizable cash reserves to R&D for some unknown non-DSLR future. Other industries can vouch for similar fates. How about the music industry, newspapers, magazines, point-n-shoot cameras, or when was the last time you bought a flashlight or a calculator, or how about an alarm clock?
Nikon and Canon aside, companies are continuing to think outside the box when it comes to capturing light, and that’s a great thing for consumers. Advancements like Light.co who just released their handheld 52mp 10 sensor point-n-shoot to Apple, maybe Samsung, even Fujifilm to some extent, have changed photography from the few who can (try to) afford big glass and new DSLR’s over and over again, to being completely and totally ubiquitous. In the past 10 years, this change has completely rearranged my thinking about the tools I carry as a photographer.
I’ve been shooting since 1984, and shooting seriously since about 1996 when I started studying photography in college. I made the transition from instant film in the 80’s to 35mm film in the 90’s to digital in 2000 (with a rinky-dink 1mp digital HP point-n-shoot. I was just so excited to be shooting digital I got the first digital camera I could find and afford).
Without getting too much into the technical aspect of image sensors and how many pixels get packed into something on the order of the 1/3.6in (or 3.99mm x 7.21) size sensor of my iPhone 7 Plus, it’s obviously a much smaller sensor than a 35mm full frame sensor. For me, it’s finally come to the point where it doesn’t have to. The results you can get with the iPhone today are well worthy to be called another photographic tool in the camera bag of a serious photographer. The colors have rich tones with little noise. The dynamic range improves all the time, and the editing tools have even moved to more advanced modes including RAW.
My iPhone 7 Plus works for 85% of everything I want to shoot on a daily basis, and since the iPhone 5, that percentage seems to be going up every time a new version comes out. Of course no, I’m not shooting weddings anymore, or senior portraits, or super long exposure astrological events. You can only push the iPhone sensor so far, but those times when I truly miss my DSLR have become fewer and fewer each year.
This year I took the leap to give up my biggest pro mirrorless body in anticipation of the iPhone 8, and I’m ok with that. With the release of the iPhone 8 / Pro and a sensor that can perhaps shoot 4k video along with 1080p in 240fps, with two lenses, wide and mid-focal length, AND take great images, I just can’t justify carrying around anything else in my camera bag (i.e. pocket) on an hourly/daily basis. The best phrase I’ve heard over the years is “the best camera is the one you have with you,” and that is never more true than one that can fit in your pocket.
I started shooting with the first consumer DSLR that Nikon released in 2002, the Nikon D100, and from that time forward I became a pixel counter with the masses. I think must have used every lens and every DSLR that Nikon made between 2002–2015 (minus the D5). That camera, along with the Nikkor 80–200mm f/2.8 was a great, but a super expensive, combination for what I was shooting at the time, aviation photography. My long haul camera combination in that time period was the D7000/D7200 and the Nikkor 50mm f/1.4 lens. That came to be my most used and loved combination that went all over the United States, Uganda, and Europe. I shot well over 100,000 images with that combination, and I loved it. But now, times are different, and where the Nikon D100 cost $2,000 at the time of launch, the iPhone 8/Pro will be half the price, weigh basically nothing, fit in a 6-inch form factor, and is miles ahead in it’s light capturing abilities.
I’ve owned every iPhone model released (basically for the camera), except the 5S, and over the last 10 years I’ve also gone through this DSLR “gear acquisition syndrome” (G.A.S.) that all photographers go through. It’s always been the DSLR is king, and the cellphone is garbage. Now, over a period of just 10 years those two positions have changed dramatically, and with the release of the iPhone 8, to me, the DSLR has been de-thowned for every day use. If you look at the (very unscientific chart above) they have, in my photo bag world, had two opposite corresponding curves. At least for me, the iPhone 8 Pro will solidify that, even before I see the specs on the camera.
The big shift in my mind was when the iPhone 5 came out. The image at the top of this article, a panorama of Jordan-Hare Stadium, has for years now been the best selling image I have ever taken. And it was taken with an iPhone, almost 5 years ago! When the iPhone 6 came out I sold my Nikon gear and moved to the Fujifilm mirrorless X-Pro2 and X70, (a fantastic system), and this year, I’m moving to the iPhone 8/Pro and completely out of the heavy, bulky, expensive cameras.
The term iPhonography has been around a while. I started intentionally shooting with the iPhone camera since the first one was released, and this is just a sliver of what I’ve been able to achieve over the years with that tiny little sensor. That doesn’t even take in account my Instagram, which I loved way back before Facebook even knew it was a thing. Almost every image on that site was shot on some version of the iPhone. And if you want to see some truly amazing work done on the iPhone visit IPPAWARDS and browse their winnersthat span over the 10 year lifetime of the iPhone camera.
The problem with camparing a DSLR to a smartphone though is flawed at best because you aren’t comparing apples to apples so to speak. A better comparison or statement might be what are you giving up? What are the tradeoffs you are willing to make when going from a DSLR to a smartphone?
So I’m less about making a direct comparison of DSLR vs iPhone than I am confirming that, if you are passionate about photography, forget about the gear. Read, study, shoot with whatever you have, and improve every day. Learn why depth of field is important and how to use it. Learn about stops of light, exposure, shutter speeds, and shoot as much as you can possibly shoot. In the mean time, here is some iPhonography favorites of mine so far this year.
The images above were all shot on an iPhone, most on the iPhone 7 Plus unless undicated, and edited with the Apple camera app. I rarely use anything other than the Apple Camera app, but on occasion I will use Snapseed, Lightroom Mobile, and once in a while Camera+. Photography on the iPhone is less about the edit because for the most part you are not shooting RAW and editing is limited to a JPG, it’s more about good technique and getting back to the basics of photography. Light, composition, exposure, subject; that’s what I try to concentrate on those over what filter some app provides.
I can’t wait to start shooting with the new camera in a short while. What are your hopes for the iPhone 8 this year?
This is an amazing time to be a photographer. Whether you’re a fan of the hype or not, the announcement this week from Apple about the iPhone 7 Plus, specifically the new dual camera, was something I was anxiously awaiting. The technical achievement to having two different camera sensors in your pocket brings a whole new life to what’s photographically possible… from something you can carry in your pocket! Another camera company working on multiple sensors I’ve been eagerly following is Light.co who have been developing a camera called the L16 which uses 16 different sensors. Light.co is taking a different approach to multiple sensor from Apple and LinX. The new iPhone uses two sensors to house two different focal length lenses where the user can choose to use one or the other. Light.co is taking a 16 images from 16 different sensors and stitching them all together for a final 50mp high res DSLR-like image. But none of those advances alone creates a beautiful or successful image. After watching the progress on the L16 for a while now I was thrilled when they asked me to explore the aspect of finding a good “vantage point” here on my blog.
There are several entries that have been sitting in my drafts for a while that I’ve trying to get posted, and this happens to be one of them. M25 Mission Camp is a youth missional organization in Atlanta that works with the homeless in a way I’ve rarely seen over the years. It wasn’t the first youth trip for me, but it was the first one in a while, and I was amazed with every aspect of the experience, mainly because it changed perceptions and perspectives on life and serving others well. This video we produced can explain it better than I can here. For now, there are some images that shows a little of the week we spent trying to love others well.
As of late I seem to be going from one day shooting thousands of images of an event to shooting almost nothing. Shooting nothing serious for days drives me nuts. But those are the times I try to get out of my comfort zone, slow down, and tackle subjects that have no deadlines, that interest me personally, but also will advance my knowledge and experience as a photographer.
It’s quiet here in Auburn right now. The calm before the fall-sports-storm, when you can get a table at a restaurant and find a parking place. But that makes street/people subjects challenging. In my ongoing series The Streets of Auburn Project, I have added a few from the “Alleys of Auburn,” but this is just a start of that point of view, or a first initial look at the alleyways, and I didn’t make it very far that day.
I have a few projects I’m kicking off on my blog and one of them is The Rural Decay Project. I’ve been interested in this topic for a while now, and have made some loose attempts at photographically capturing these images but until recently without much cohesiveness that one needs to tell a story.
One of the things about photography that took me a while to learn is you can’t always be thinking about that exotic locale that you might get to visit some day to finally make some great images. To be a photographer is more than vacation or travel, you have to photograph what is around you all the time in your daily routine of life. That can sound quite boring for some of us that don’t live in some beside resort community, but it works, and it’s unique to you.
This week I finally had a few spare minutes to get downtown to take some street shots. I’ve been wanting to practice up on my black and white technique and revisit street photography for a long time but just never made time to do it. Auburn is generally a fantastic place for street photography for several reasons; people are super friendly (almost overly so which also has it’s challenges in shooting), there is almost always something going on that makes for interesting subjects (especially during football season), and it’s a small condensed area so you can cover a lot of ground by foot quickly.
Since January I’ve spent a good bit of time reading and re-reading all of Eric Kim’s books on street photography. There is so much practical real world advise in each one of his books that they are probably the few collection of books I’ve read multiple times. While we share different philosophies on life, we both share a love of photography, and it seems, a driving desire to continue to learn and improve. One of the reasons I continued to read and follow Eric Kim’s work over the years is he has completely changed and rearranged how I think about photography.
He’s made me re-think how I view my own personal photography, what’s acceptable as a quality image and what’s not, and even what equipment is actually truly needed. All those rules I spent years learning, like “don’t include power lines in your photography” it will ruin the shot, were disseminated by Kim’s books. I think I was 10 years into photography before I actually realized it was ok to include people in the images (my main teacher and book learning early on was 100% nature photography).
When you have been doing something, like practicing photography for 25 years, you don’t often come across new ways of thinking about the art, so it’s been a super refreshing experience so far this year. The ideas below came straight out of one of his books, The Street Photography Project Manual, which I was able to read because of his vision on open source information.
Last week I took about 5,000 images of so many different aspect of life in downtown Atlanta. This one still stands out to me as a metaphor to the pace of life we lead today, This was one of the only times I can remember over the week when the interstate wasn’t bumper to bumper and crawling. I think I have enough traffic and freeway images now to do a photo essay on Atlanta traffic, but that would just be depressing. In this case, we were serving the homeless that lived underneath the freeway bridges where the pace of life is ironically slow.