Scott Fillmer » airplane

Finishing Up Atlanta to Denver and Back Home Again

Scott Fillmer — Thu, 22 Sep 2011 02:30:06 +0000

On one hand traveling anywhere on a plane today is such an incredible pain, and seems to take forever, but in the view of history, two thousand miles in a few hours isn’t so bad I guess. We went from a remote-ish cabin in Estes Park Colorado at 8,000 feet to our house, at sea level in Auburn, in about 12 hours. I have always loved airports, at least at long as I can remember anyway. Today the airlines pack as many people into every single aircraft as they possibly can, which makes for extremely crowded airports, and cabins. My perspective of airline travel has changed tremendously over the last twenty years, but airports, especially the major airports like Atlanta Hartsfield or DIA, are still a great place to just relax, people watch, read, do some photography, and generally take a break from the normal routine of things. I do love visiting different parts of the country, and the world for that matter, but as the cliche goes, there’s no place like home. I have visited every state in the country, lived in a dozen or so, and I can say without a doubt that the south really is a great place to live.

For all the craziness that is involved with traveling today I only have to look at the photo below to remember the reason why all that was worth it. To be there for the birth of our second grandson was an experience we will be able to remember as he grows up, and to be able to photograph his arrival into the world makes those memories even more vivid. I always feel very privileged to photograph specific events. They are all little pieces of history, frozen in time, never to happen exactly that same way again.

The photos in this post are sort of a hodge-podge of images from our trip home. I never did get a chance to do my 50mm airport shoot at Denver International Airport because by the time we got through security we only had about 30 minutes left before we got on our sold out flight, and we arrived hours before our departure time. I have several more photos of baby Luke than just the one below but I will save those for another post sometime.

This season, to me, seems so crazy right now that I find myself looking desperately for some margin (or balance). Fall is always a very busy time of year, but between football season, our multi-site movement at Cornerstone, a grandson being born trip, a niece to be born sometime this week, seminary classes, and a trip to Africa in two weeks, I’m feel a little frazzled (that a very scientific technical term) at times, just like everyone does.

I look at baby Luke in this photo below and it amazes me. God spent nine months to create the perfect little boy who right now knows nothing of the hustle and bustle of this world, and by the time he is my age, around the year 2050, he will no doubt feel the same pressures and anxieties that come with living in this extremely modern world. Maybe he will some day pull out this photo on his whatever electronic fangled device he has and remember that one day he too had no cares in the world other than to be warm and sleep in the sunlight.

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A Bumpy Ride but Arrived a Mile High in Denver

Scott Fillmer — Thu, 15 Sep 2011 13:58:29 +0000

So we are in the Mile High city for a few days for the birth of our second grandson, Luke, but while we are here we get to take a side trip over to Colorado Springs and visit with a ministry group there. On a side note, there are an amazing number of ginormous ministry groups here in Colorado Springs, like Focus on the Family, Compassion International, Promise Keepers was at one point, and so on… amazing. We are going to get to talk about the kids in our sponsor program from Cornerstone like the girl you saw in my previous post. I’m always excited to get to talk to people when it deals with ministry and photography at the same time. It’s one thing to get to work in an area you are passionate about but it’s really fantastic when you get to combine two passions together, even if it’s just to talk about future possibilities.

So, quick photo of the day above, which is actually from yesterday. We ended up landing in Denver in horrible weather (which is rare out here). It’s also freezing out here, well, it’s not 100*F out here, but all the resort towns are expecting snow this weekend. Until next time…

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Understanding Exposure is More than Just Point and Shoot

Scott Fillmer — Sat, 27 Aug 2011 19:34:30 +0000

I thought I would do a little photography 101 slash book review for this Saturday’s post. Only one more week before Auburn opens the 2011 football season so today is sort of the last “free” day before the fall goes into full swing, so to speak. The changes in photography over the last 10-15 years has been amazing to watch, and I’m glad I started shooting when film was the only option. Just about anyone can pick up a digital SLR today that is capable of taking photos that weren’t even possible a few years ago. Thankfully, it still takes more than just a finger pushing a button to take shots that look like more than just vacation photos. It’s quite possible to take great shots with a point-n-shoot and lousy shots with a professional camera (my nephew who is 12 takes amazing shots with his $150 Canon PowerShot SD1300).

One of the aspects of photography that attracted me to the art years and years ago was how easy it was to take a photo, and how hard it was to master the art. Just like anything worth doing, it takes a lot of time, study, experience, and a determination to get beyond the basics. One of the very basics of photography, and also one of the most difficult to master, is exposure. There are three basic elements to exposure in photography that make an image possible. These have never changed since the very first piece of film was exposed to light. For a “proper” exposure you need a combination of aperture (lens opening), shutter speed, and ISO value (film or sensitivity speed). Today’s cameras all have what is called a “P” or “program” mode that automatically calculates all three of these in an instant and creates what it thinks is the proper exposure. The only problem with that is the meter always exposes for a “middle grey”, or average, which attempts to take every lighting situation in the frame, average it out for medium, and that’s the “proper” exposure. That not necessarily bad, or wrong, and it’s probably how about 90% of all images shot are taken, but it also doesn’t always make the most exciting photograph either.

The two examples above I shot in the fading sun over the Atlantic, and both are considered to be improperly exposed according to the camera meter at the time. One is significantly “over exposed” (too light or bright) and one “under exposed” (too dark). I took several shots back to back and the “properly exposed” shot was quite boring. I love how both of these shots show a different mood and many different details. What often determines a “proper” exposure is what you are trying to create when you take the shot. What story are you trying to tell often determines what exposure best portrays your vision when you pull the trigger.

If you are interested in learning more about exposure and how light is used in creating an image I recommend the updated edition of Understanding Exposure: How to Shoot Great Photographs with Any Camera by Bryan Peterson. I have no affiliation with Peterson but I did read his first edition that came out many years ago and recently finished the updated version published last year. Peterson goes through an easy to understand explanation of how to best use exposure in your photography beyond just pulling the trigger. Anyone who is interested in improving their photography should start off with Peterson’s book and move out from there, it’s a great place to start.

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Cloud Explosions in the Sky at 40,000 Feet

Scott Fillmer — Tue, 23 Aug 2011 12:41:39 +0000

Today, a quick photo of the day post with one of my favorite inflight photos from my recent flight between Amsterdam and Uganda. This is a huge thunderstorm over the Mediterranean Sea that towered at least to the 40,000 feet we were flying at this day, and you can see went quick a bit above where we were flying. Somehow these two massive thunderstorms looked like (to me) two nuclear bombs exploding, and of course we were flying into these storms.

I have another post almost ready to go with photos about water, and the well, and kids, and all that stuff so look for that next time.

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Air Force One on Takeoff for Tuesday’s Election

Tumble — Mon, 01 Nov 2010 22:44:00 +0000

The photo of the day today is a shot I took of Air Force One on it’s takeoff run at Las Vegas McCarran Airport a while back. With the elections taking place tomorrow I thought this would be an appropriate shot, but we are also trying to get to a place where we can watch the Space Shuttle launch tomorrow as well, so it served two purposes today. If we get to the Space Coast I will post some photos on Twitter and here, but I am sure we won’t get as close to the shuttle as I was able to get here with AF1. For additional aviation photos you can check out some of my shots at http://www.planephoto.net as well.

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Miami Airport Photos and a 50mm Lens :: MIA-ATL

Scott Fillmer — Mon, 18 Aug 2008 15:14:06 +0000

This the third and final part of my airport in a 50mm lens perspective (see ATL part 1 and DEN part 2), at least until I jump on another plane and end up at an airport other than ATL, DEN, and MIA. Miami was the most difficult out of the three to shoot. It was hot, humid (yes I was inside), very very crowded, and all under construction.

That just means I had to look around more than I usually do and find something that said this was MIA and was (to me) photographically pleasing. For this post, I chose these 4 images below.

I love the second shot, the plane. This old plane was restored and hung from one of the walks between terminal buildings. What caught my attention was the print just below the name of the pilot.

Passengers travel in this vehicle at their own risk

I did find one nice architectural images of this roof line which seemed to open like a bottle top. I would have preferred to get the faces of the travelers but in an airport you must be wise when holding the camera. With so many irritated passengers around every bend waiting for delayed flights, I wasn’t real interested in inflaming the minds of many.

I always liked the Miami airport. So much diversity even in the airport itself, but modernizing the terminals (which they are doing) would also make it a nice place to fly into while waiting for a long connection. All images in each part of this shoot were taken with a Nikon D700 (in full frame FX mode), hand held, with a 50mm Nikkor f/1.4 lens. Comments, suggestions, critique, or criticism are all welcome. These are shown in the order they were taken.

To see the larger sizes all at once just click on the first image to open the light box gallery and you can scroll through the larger sizes that way.